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There was once a
time when the name Narada was synonymous with the finest
pianists. They boasted a roster that even the original
New Age Label, Windham Hill, could not match. Pianists
of the highest order, including Michael Jones, Michael
Gettel, Spencer Brewer, Kostia and David Lanz regularly
turned out classic CDs which are still listened to
around the world to this day.
In
1992, Narada released a CD which, put quite simply,
would not be released today. There was a risk attached
to this CD, because as well as featuring established
giants of the label, it also showcased newcomers in
equal measure. Narada do not release CDs anymore, and
very few labels would take such a gamble in the current
climate.
What
makes this CD extra special, is that it features a dozen
original compositions, many of which more than justify
the cost of the CD. It opens with a lovely little number
by old-timer, Spencer Brewer. "First Rain" successfully
captures the steady rainfall, one moment gentle and
predictable, the next swirling and heavier. "First Rain"
is definitely Summer Rain, presumably at dawn. Spencer
started playing at the age of eight, and was composing
his own music by ten. Since then, he has owned an
incredible 400 pianos. He sees it as the perfect
instrument as... "it openly receives my feelings and
emotions without passing judgment, and it responds with
understanding, compassion and tenderness. I feel blessed
to have had such a wonderful friend throughout my life."
The next track is by Michael Gettel,
and contains his trademark sound.
Rhythmic and with his normal flurry of
keys, this piece "Gentle Earth and Sky"
does not disappoint. Kostia's first
offering, "Girl From Barcelona" is
gentle and soothing as well as melodic.
It develops into a high-tempo piece,
before settling down to its original
form.
Another highlight is to be found with
track 5- "So Close". This is my
favourite cut on the CD. It is extremely
melodic and accessible. Very positive
and uplifting, this is a much-loved
piece in the New Age piano world. Kostia
returns for his second offering,
"Flowers on the Water"- a more intense
track, classically influenced. The ever
reliable Michael Jones also makes his
second appearance on Track 8 of this CD,
with "Aspen Summer". A very tender
opening suggesting dawn of a Summer's
day, gradually develops into daytime and
the wildlife that comes with it. One
final favourite, is the CD's last track,
the rather appropriate "The Teacher" by
Brian Mann. A delightful melody happily
plays, until the listener is caught out
by a sudden flurry of notes at high
volume- to me, this is the teacher
losing his or her patience with a child
who has just tried their luck once too
often! A great way to end this very
impressive CD.
The linear notes are extensive, with
autobiographical notes on each pianist featured.
The recording quality is excellent.
I really enjoyed listening to this CD, and
recommend it as a wonderful introduction to the
world of New Age Piano, and the undisputed place
Narada has had in its history.
S.C.
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