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Karen
Marie Garrett's sensational fourth CD,
It's About the Rose
was released in January 2007 as a follow-up to the critically acclaimed
Allure of Sanctuary.
Both albums were produced by the legendary Will
Ackerman,
founder of Windham Hill Records. As well as winning a
coveted Piano-Heaven Gold Award, Karen's album was awarded
the prestigious
NAR Life-style Music Awards "Best Instrumental Piano Album,
2007".
Currently busy working on her next album- her fifth CD- Karen kindly took time out to answer some
questions relating to her work.
S.C.
Congratulations on
your new CD! I'm really enjoying it. As much as I loved (and still do),
Allure of Sanctuary, It's About the Rose appears to be more daring
and original. You seem to really get your creative juices flowing, and
experiment with different styles- to great effect! To me, Allure of
Sanctuary was a ‘safe’ album, but on It's About the Rose, you're
branching out with new ideas, exploring different styles, taking a few
risks, yet still managing to retain the melodic charm and beauty of your
previous CD- agreed?
K.M.G.
Thanks,
Stephen. Agreed; with the new project I wanted to connect with listeners
at various emotional levels and explore that artistically without
consideration of genre. It was risky, intriguing, revealing and I loved
it... one of the most creative periods of my life!
I'm intrigued by the
recurring "rose" theme running through the CD. From where did this idea
come?
The first track It’s About the Rose
in the Vase on the Table was titled while writing the music, but the
album title and several song titles continued to elude me throughout the
yearlong project. It was curious to me, that each piece appeared one
after another during this period, seeming somewhat connected and yet I
was unable to define the connection with words. I took a walk one
afternoon to enjoy a friend’s garden and noticed a beautiful climbing
rose embracing a wooden trellis with its rose stems weaving in and out
of the trellis. The visual image reminded me of the way music seems to
move through us.
One of my favourite tracks
is Moon Night. To me, this is one of the most upbeat pieces on
the album and works extremely well. It's quite a departure from anything
on Allure of Sanctuary! How did this piece come about?
At the coast one evening, I observed an
ocean performance! There was so much movement and energy in the water it
seemed to be dancing. And the moon so bright, the rays appeared as stage
lights. I snapped a photo [right]
and went to the piano!
Your previous album, Allure
of Sanctuary seems to have been a huge success. Congratulations! You
must be happy with the public's response to your album....
Thank you! I’m
delighted with the response to Allure of Sanctuary. The
comments from listeners have been amazing! Touching people
emotionally with my music is my ultimate goal, and it is so
rewarding to hear from them.
I love the entire
CD, but there's something extra special about Tip-Toe Dancer.
It's beautiful! Would it be fair to say this is the track that
has generated the most response? As you were putting the CD
together, did you think "this will be the one..."?
Thanks, Stephen. Tip-Toe Dancer has generated
the most response so far. As you know, the inspiration came from
a story Kathryn, a friend of many years, shared with me about
her childhood. During gatherings for family and friends, she
would ‘Tip-Toe Dance’ pretending to be a ballerina to entertain
them. I hoped it would be a special song for listeners, and I'm
delighted with the overwhelming response.
Allure
of Sanctuary- it's
an intriguing title. In the CD's notes you say "The Sanctuary"
is a retreat for artists in Washington. I'm assuming your
addition of "Allure" means you found it an inspirational place
in terms of creating music?
Yes, I wrote the composition Allure of
Sanctuary during a stay at “The Sanctuary”, a visual and
performing artists' retreat founded by Cynthia Hayward. It is a
beautiful and secluded place where I felt liberated.... hence
the title.
At
what age did
you start to play the piano? Was piano playing part of your
family life as a child?
Did you create your own compositions?
The family purchased a used upright piano so I
could begin lessons at five years old. Mother loved piano, and
greatly influenced my studies. She played as a child, but was
reluctant to play in front of us. My father and brother did not
play piano; they were deeply involved in sports. And honestly,
other family members did not have much of an opportunity to use
the piano- it was seldom unoccupied by me.... I loved it! The
constant piano music eventually became a sound issue to my
father and brother. They tired of listening to their TV sports
programmes through earphones. So the piano and I were moved to a
large family room on the other side of the home. The room was
redesigned as a studio apartment, and I was in heaven now able
to practice at any hour without disturbing anyone. I did not
begin composing until much later.
Your four CDs to date seem to be classically
influenced- your first two Pensare and Classical
Serenity being collections of pieces from the likes of Bach
and Sanucci, Allure of Sanctuary containing pieces by Erik Satie
and It's About the Rose includes a piece with reference to
Beethoven and Chopin. Are you classically trained? Do you play
any other instruments?
Yes, I'm
Classically trained, and love Classical music. I do not play
other instruments at this time.
Do you
enjoy the work of other pianists in the genre? When you have the
time, to what do you enjoy listening?
I do enjoy
other pianists' works and genres of music as well (instrumental
and vocal). I do not have much time to listen to music, but when
I do, I enjoy most of all well performed written music.
You
clearly feel indebted to your producer, Will
Ackerman. Securing his services is quite a coup! How did the
relationship come about?
I
asked
him on two
occasions if he would listen to my recordings and he said yes! I
have always admired Will and his great works; he is a truly
brilliant and exceptional man of our time. I'm honoured to be
working with him.
.... and
with It's About the Rose released, what are your immediate plans
for the future?
I
look forward to sharing the music of both albums Allure
of Sanctuary and It’s About the Rose in
performance. I’m currently seeking concert venues and
supporters. I can’t wait to meet and interact with the
fans. And
when the opportunity is presented, I’d love to write and
record another album.
I wish you well with your plans!
Finally, I can't end this interview without asking you about
your Furry Friends! I take it you're a fan of dogs....
Thank you, Stephen!
The Furry Friends / Children subject has turned into so much
fun. The [sleeve notes for the] song Simple Things on the
Allure of Sanctuary CD mentioned furry children as an
inspiration because they add so much fun and love to our
lives. Listeners began to write and send pictures about their
furry friends, so we started a photo album on my website,
www.kgpiano.com
It's true I am especially fond of dogs, and I can't imagine
life without a dog! Currently Abbie
(pictured right),
a beautiful three year old black labrador is in charge of the
house!
Thank you to Karen for the Interview.
Be sure to
check out reviews of Karen's CDs
Allure of Sanctuary
and
It's About the Rose.
They're terrific albums, and well worth buying.
Allure of Sanctuary and It's About the Rose are available from Amazon
and CDBaby, together with other music retailers. They're also available
from Karen's website,
www.kgpiano.com
S.C.
Picture
of Karen and Will courtesy of Norbert von der
Groeben
of
Palo Alto Weekly.
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