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It is heartening to know
that tucked away out there in the vast piano music labyrinth are
CDs of high calibre such as this one that somehow have bypassed me
over the years. As the old saying goes, "better late than
never", and it has been with a sense of real joy that I have
been listening to this CD on a regular basis over the last few
weeks.
Curiously
titled (or arguably not titled at all), Jeff Herge's "Jeff Herge"
has certainly made an impression on this listener. Released in
1992, this thirteen track CD maintains a consistently high
standard throughout and is refreshing in its originality and
vitality. It would appear that Jeff has released nothing since-
all the more reason then to lap up this musical feast- a joy to
the palette.
The CD opens
with "Jeffrey's theme"- and from the title, I am
assuming this is either his trademark piece or possibly
his first composition. Either way, it is a beauty. The
track typifies the composer's ear for melody. Whilst by
no means one of the more energetic pieces, it serves
well to illustrate that this is music that is far more
than just background fluff. Jeff's compositions are not
for drifting to sleep to; rather I find myself sitting
up and listening intently to the development of each
track.
The opening
bars to "Patricia Ann" introduce the listener to a few
notes recurring on a number of occasions throughout the
CD. I have no idea as to the identity of Patricia Ann,
but the composition is gentle, relaxing and very
beautiful. It has often occurred to me that having a piece
on a CD named after oneself must be the ultimate gift
for the recipient; the lucky lady must be honoured.
Listening to this track provides further evidence of the
talent that this composer undoubtedly possesses.
"Autumn Snow" is the CD's third track. This is
soft, welcome snowfall. A more beautiful tune
you would be hard-pressed to hear. After the
lovely opening, comes a gorgeous section at
1:30, which is both playful and graceful. This
is no intense snow-storm- this is a delicate
dusting which brings joy to the people around.
Equally impressive is the delightful ending to
the piece- perhaps the snow has finished
creating its visually beautiful landscape, and
it is us, the listeners, that benefit through
the audio snapshot of the completed image.
If
track three could be described as ‘beautiful’,
track four surpasses it and then some. I have
always had a fascination for rain, and how the
piano seems to be the perfect instrument to
capture the sound of the ensuing raindrops. I
have literally dozens of pieces which represent
rain in its different stages and forms. Jeff
Herge's piece is up there with the very best.
The notes previously referred to in track two
resurface and are developed into the most
exquisite of melodies. I never tire of this
track. Rather like the powdery snow in the
previous track, this is no rain-storm. If rain
can be welcome and beautiful, it is to be found
within this piece. This is another relatively
short-piece, fairly typical of the composer.
Most tracks are between two and three minutes
long, and are only as long as the piece needs to
be. An outstanding track.
A
definite change of mood is heard in track five.
As the title would suggest, "Stormy Days"
contrasts sharply with earlier pieces. The
discord in the opening section- both
intimidating and exciting- represents the
gathering threat, the rumbling thunder and the
imminent rain. This is no ordinary storm! Jeff
Herge shows masterful control of the piano and he
uses the instrument to tremendous effect. The rain is
lashing the Earth. With lots of imagery conjured
up from the energetic playing, this would be a
perfect piece for dance groups wanting to
represent a storm. Gradually, the thunder quietens; the rain eases. The storm is passing.
What a piece of music!
"Unknown
Theme" is the curiously titled sixth track of the CD. At
just over two minutes in duration, this is one of the
shorter pieces. It has quite a dramatic fan-fare-style
opening, and then settles into a slightly more sedate
form as the piece progresses, before reaching a dramatic
climax. As with every piece, the track captivates the
listener from beginning to end.
"Skipping
Stones" is the CD's seventh track. Its up-tempo opening suggests to me
the rushing of water. Jeff Herge clearly has a love of water, and his
enthusiasm for the subject is obviously inspirational to him. Another very
short track, this is again great fun for both the listener, and, I
rather suspect, the composer as well.
My favourite
group of notes return again in the next track. "Impending Love" slows
things right down, and is one of the album's more reflective and gentler
pieces. It is also very melodic, and it is a source of fascination to me
that Jeff Herge manages to seamlessly incorporate those notes
again- once more to great effect.
"Her Eyes"
is another quiet piece. I get the feeling that in some ways this is an
autobiographical album, capturing key moments in the composer's life.
The CD's ninth track is stunningly beautiful. The tempo is again slowed
right down. There are no other distractions here- the eyes are
definitely the focus of attention. This is a tremendous track.
With Jeff
Herge, the quality music just keeps coming and coming, amply illustrated
by track 10, entitled "Expressed Reflections". As the title would
suggest, the opening is certainly contemplative. At around 1.15, the
tempo changes and the music becomes more upbeat. What never changes,
however, is the composer's gift to consistently deliver appealing melody
time and time again.
Track
eleven, "Winter's Reign" is not as dramatic as one might expect from the
title. However, it is apparent that winter is seizing its grip. Another
winning melody, another winning piece of music.
The
penultimate track is entitled, "Times to Remember", and is a reflective
piece. Open the wine, sit back, relax and enjoy!
The final
track is a medley of two of the earlier tracks, "Stormy Days" and
"Raindrops". Curiously, the storm comes before the raindrops; perhaps
the thunder peters out leaving the refreshing and rejuvenating rain
behind. Regardless, it is most welcome as the little theme that emerges
again is one of the most appealing melodies I have ever heard.
At a shade
under forty minutes, Jeff Herge delivers a highly memorable CD which
blows away the listener with its brilliance and sheer energy. The only
disappointment here is that the composer has not released anything since
1992. Hopefully, this will change at some point in the not-too-distant
future. I read at the composer's web-site that he is a great fan of some
of my all-time favourite pianists, George Winston, David Lanz et al, and
whilst it must be remembered that this composer has his own "voice", I can't help but feel that if
the great composers themselves listened to their "apprentice's" music, the resulting
respect would be mutual. And that is the greatest compliment I can pay
to this immensely talented musician. This is an extremely impressive CD
(currently available from CD Baby for the ridiculously cheap price of
$10), and I give it my highest recommendation. Bravo!
S.C.
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